OLEKSIY PALCHYKOV
PRESSE
PREMIER
Carl Orff "TRIONFI"
by Calixto Bieito at STAATSOPER HAMBURG REVIEW
The singers were also so committed that it is hard to know whether the singing or the acting should be praised first. This is especially true of Oleksiy Palchykov as Catullus, who I have never seen so well in his role. Athletically trained, he literally threw himself into the role.
Dr. Ralf Wegner, September 26, 2024, for
klassik-begeistert.de
Director Calixto Bieito lives up to his reputation in the Hamburg State Opera's adaptation of Carl Orff without any deeper insights. Kent Nagano creates magical moments out of simple music.
Nicole Chevalier as Lesbia and Oleksy Palchykov as Catullus sing the couple brilliantly. The tenor lets the soprano slip out of the grand piano that has been pulled onto the stage so that they can fully enjoy the joys and sorrows of love with her.
from Peter Krause,
September 22, 2024
concerti.de
ZURICH/ Opera House:
BARKOUF OU EN CHIEN AU POUVOIR – revival. Woof! You must have seen that!
OnlineMerker
December 22, 2023, Jan Krobot/Zurich
Oleksiy Palchykov is the surprise of the evening. With a bright, powerful tenor, with potential for haute contre, he plays the Saëb. With a beautifully positioned voice and convincing stage presence...
New production of "SALOME" by
Dmitrii Cherniakov at
Staatsoper Hamburg
Palchykov ist ein sehr stimmstarker Naraboth und seine Vielseitigkeit begeistert mich immer wieder. Dass er auch besonders intensiv spielt, liegt sicher neben seinem Talent auch an der Regie und an Asmik Grigorians eindringlicher Darstellung, sodass sie ihn, wenn sie ihn über den Tisch hinweg an sich reißt, mit ihrer Energie mitreißt.
operngestalten.de | Birgit Kleinfeld
Falstaff | Barrie Kosky Komische Oper Berlin
"Falstaff" | Calixto Bieito Staatsoper Hamburg
Eugene Onegin review at Festival Theatre, Edinburgh – ‘Barrie Kosky gets to the heart of the characters’
A gorgeous aria from Oleksiy Palchykov as Lensky – who looks so innocent, happy just to be in love with Olga until Onegin comes along and ruins it all – is a bonus in a production which, while visually stunning, never lets looks get in the way of pure, raw feeling.
"Eugene Onegin"
Staging: Adolf Dresen
Lenski's ( Oleksiy Palchykov) clear tenor carries over the (stage) field in the fog, his secret conjecture not to experience the day, Olga's infidelity and also the betrayal of his former best friend let him resign himself and surrender to his fate. A great voice falls silent too soon ...
"LA BELLE HÉLÈNE“
Staging: Renaud Doucet and André Barbe
Oleksiy Palchykov played the role of Páris in top tenoral quality. Warmly timbre - made for the French opera compartment as - he sang the often very demanding arios sections of his lot error-free, expressive and full of beauty. He was incredibly diverse and funny acting. After all, he also had to change his outfit several times.
"LA BELLE HÉLÈNE"
Staging: Renaud Doucet and André Barbe
HAMBURG / State Opera: LA BELLE HÉLÈNE, Jennifer Larmore and Oleksiy Palchykov thrill as Hélène and Paris
"The prima donna in terms of playfulness nothing to the Paris by Oleksiy Palchykov, as a testosterone- controlled dude shows his puny muscles in schlabberigen boxer shorts"
Garsington Opera - Eugene Onegin Reviews
Ukrainian tenor Oleksiy Palchykov was a terrific Lensky, impassioned and ardent, without the reedy tone some tenors exhibit in this repertoire. His great aria “Kuda, kuda vï udalilis” was beautifully contained, with no playing to the gallery and he coped with his spectral duties admirably.
L’enlèvement au Sérail (Opéra de Toulon)
mtnewsinternational
Le ténor Oleksiy Palchykov le représente avec une silhouette aussi juvénile que son timbre lumineux et raffiné, au phrasé élégant, à l’impeccable tenue de souffle qui déploie avec clarté le ruban des vocalises.
Benito Pelegrín