PRESSE
Italian Opera Weeks 22/23
Hamburg State Opera ,
March 4th and 5th
von
Andreas Schmidt
SIE WAREN THE KING OF THE EVE: Oleksiy Palchykov als Sir Edgardo di Ravenswood. Sie sind ein Tenor von edler Klasse. Ihre Strahlkraft ist erhaben. Sie bringen die Herzen zum Pochen, Sie beseelen. Sie verzaubern.
Sie sind ein richtiger Tenor.

Falstaff | Barrie Kosky Komische Oper Berlin

"Falstaff" | Calixto Bieito Staatsoper Hamburg

Eugene Onegin review at Festival Theatre, Edinburgh – ‘Barrie Kosky gets to the heart of the characters’
A gorgeous aria from Oleksiy Palchykov as Lensky – who looks so innocent, happy just to be in love with Olga until Onegin comes along and ruins it all – is a bonus in a production which, while visually stunning, never lets looks get in the way of pure, raw feeling.

"Eugene Onegin"
Staging: Adolf Dresen
Lenski's ( Oleksiy Palchykov) clear tenor carries over the (stage) field in the fog, his secret conjecture not to experience the day, Olga's infidelity and also the betrayal of his former best friend let him resign himself and surrender to his fate. A great voice falls silent too soon ...


"LA BELLE HÉLÈNE“
Staging: Renaud Doucet and André Barbe
Oleksiy Palchykov played the role of Páris in top tenoral quality. Warmly timbre - made for the French opera compartment as - he sang the often very demanding arios sections of his lot error-free, expressive and full of beauty. He was incredibly diverse and funny acting. After all, he also had to change his outfit several times.
"LA BELLE HÉLÈNE"
Staging: Renaud Doucet and André Barbe
HAMBURG / State Opera: LA BELLE HÉLÈNE, Jennifer Larmore and Oleksiy Palchykov thrill as Hélène and Paris
"The prima donna in terms of playfulness nothing to the Paris by Oleksiy Palchykov, as a testosterone- controlled dude shows his puny muscles in schlabberigen boxer shorts"


Garsington Opera - Eugene Onegin Reviews
Ukrainian tenor Oleksiy Palchykov was a terrific Lensky, impassioned and ardent, without the reedy tone some tenors exhibit in this repertoire. His great aria “Kuda, kuda vï udalilis” was beautifully contained, with no playing to the gallery and he coped with his spectral duties admirably.